Showing posts with label Film-Noir. Show all posts
Showing posts with label Film-Noir. Show all posts
Thursday, January 6, 2011
ACE IN THE HOLE
4 out of 5. Billy Wilder is one of the few directors whose work always has strong characterization and fresh-sounding dialogue an ACE IN THE HOLE is no different. This is a rare treat as Kirk Douglas eats up the scenery with his loud and boisterous unlikeable charm. He plays a real man's man reporter who has the world on a dangerous tether that's pulled tight to the point of snapping. There's a great undercurrent of America's love of sensationalism and his character serves it up with brace of hard liquor. There were two very surprising moments. A real joy watch. If you liked Sunset Boulevard I have no doubt you will enjoy this.
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Labels:
1951,
4 out of 5,
Billy Wilder,
Drama,
Film-Noir,
Jan Sterling,
Kirk Douglas
Sunday, March 14, 2010
THE SET UP
4 out of 5. Based on a Joseph March poem, THE SET UP is a film that could have easily been a play. It's one of those films whose narrative has a real earthy feel, much like High Noon, making it very original for its time. It's a simple story told really well, with compelling characters all in high stakes situations. Robert Ryan plays an over-the-hill boxer (35) at the end of his career. He's expected to fall and everyone bets against him. It's a simple story but a gem of a film with great performances and a really rough ending. Feels like something Hemingway might have written.
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Labels:
1949,
4 out of 5,
Audrey Totter,
Film-Noir,
Robert Ryan,
Robert Wise,
Sport
Wednesday, January 27, 2010
THE BIG HEAT
4 out of 5. THE BIG HEAT blew me away. It's hard to say who the hero is FRITZ LANG or SYDNEY BOEHM. I'd have to go with Boehm I think. Every character is interesting and nuanced and not at all cliched. Clear specific relationships are established and the story takes twists and turns involving the audience to guess what happens next. The dialogue was superb and layered and some of the acting was quite excellent too. Fritz's directing was very subtle in this piece and it worked wonderfully. If you like NIGHT AND THE CITY or WHERE THE SIDEWALK ENDS you'll love this.
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Labels:
1953,
4 out of 5,
Crime,
Drama,
Film-Noir,
Fritz Lang,
Glenn Ford,
Gloria Grahame,
Lee Marvin
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