Sunday, September 29, 2013


4 out of 5. Yasujiro Ozu's minimalist approach continues to be timeless and expressive in letting characters breathe, especially in AN AUTUMN AFTERNOON. I haven't seen anything of his since TOKYO STORY. His strong locked camera choice is so signature that it showed me possibilities of characters and their relationship to the space around them. There was nothing wasted in frame and it all served the scene. The cinematography, costumes and production design are equally deft in illustrating this point. When you watch a simple story like this in the hands of an artist there's a lot more that is peeled back and revealed. In that is where Ozu truly shines.